{
    "byline": "Peter Doig",
    "dir": null,
    "excerpt": "Plainly in view but physically inaccessible, Peter Doig half obliterates The Architect\u2019s Home in the Ravine with an underbrush as dense as a half-finished Pollock and the scene becomes foreboding: something out of an Edward Hopper or an Andrew Wyeth painting. With all the richness of the distant woods and the stunning architecture to look at, it\u2019s the twigs which steal the show. Peter Doig\u2019s painting reinvents the way a picture is meant to be looked at.",
    "length": 2869,
    "siteName": null,
    "title": ""
}